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Organizational Diagnosis: a Workbook of Theory and Practice, by Marvin R. Weisbord

  • Sales Rank: #10763983 in Books
  • Published on: 1995
  • Binding: Paperback

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1 of 1 people found the following review helpful.
Great Condition
By rozie pozie
This was a used book I need for teaching a class. It was in wonderful condition for a used book!

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Great resource for somebody who is interested in Weisbord's Six-Box organizational model
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Building Clouds with Windows Azure Pack, by Amit Malik

Key Features

  • Build, deploy and manage cloud solutions using combination of Windows Azure Pack, System Center and Hyper-V
  • Impress your peers at work by learning to build applications that can leverage the cloud to meet the needs of your organization
  • Get overall view about the functionalities of Azure Pack and understand how to build cloud fabric, Iaas, Paas, DBaaS offerings
Book Description

Windows Azure Pack is an on-premises cloud solution by Microsoft, which can be leveraged by Organizations and Services providers for building an enterprise class cloud solution. WAP provides consistent experience to Microsoft Azure, along with capabilities such as multi-tenancy, high density, self-service, automated. WAP can be leveraged to provide both IaaS & PaaS Offerings to internal and external customers.

In this book, we will learn about planning and deployment of Cloud Fabric for Windows Azure Pack, Azure Pack components, VM Clouds and IaaS offerings, PaaS Offering including WebSites & Service Bus, DBaaS offerings, Automation with SMA, and extending capabilities with third party products integration and tenant experience for all services.

What you will learn
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  • Get Cloud Fabric ready and then plan , install and configure Windows Azure Pack solution
  • Build VM clouds and IaaS offerings for private Cloud and service provider's Cloud solutions.
  • Learn about planning and deployment of three Cloud services models of WAP - IaaS, PaaS(WebSites , Service Bus) , DBaaS(SQL, MySQL)
  • Plan and manage Azure Pack plans, subscriptions and add on's for tenants
  • Experience the solution built from tenant or customer point of view.
  • Integrate Azure Pack with Service Management Automation(SMA) to automate your cloud Solution
  • Extend your Azure Pack capabilities and integrate it with other vendors or solutions components such as VMware, Cloud Cruiser, etc.
About the Author

Amit Malik is an IT enthusiast and technology evangelist from Delhi, India. He specializes in Virtualization, Cloud, and emerging technology space. He has an intense knowledge in building cloud solutions with Microsoft Windows Azure Pack.

Amit holds various industry admired certifications from all major OEM's in Virtualization and Cloud space including MCSE for Private Cloud.

Amit has designed and built numerous virtualization and private cloud solutions comprising the product lines of Microsoft, VMware, and Citrix.

Apart from these, he can be found working on emerging technologies including VDI, hyper convergence, Software Defined Infrastructure solutions including networking and storage, Containers, Big Data, IoT, and other similar technologies. Amit is interested in building products and doing product management in near future for related technology space.

You can always reach Amit on LinkedIn (https://in.linkedin.com/in/amitmalik99)or email (contact2amitmalik@gmail.com)

Table of Contents
  • Know Windows Azure Pack and Its Architecture
  • Getting the Cloud Fabric Ready
  • Installing and Configuring Windows Azure Pack
  • Building VM Clouds and IaaS Offerings
  • Assigning Cloud Services – Plans, Add-Ons, Tenant Accounts, and Subscriptions
  • Experiencing the Cloud Services – the Tenant's Point of View
  • Delivering PaaS – WebSites Cloud and Service Bus
  • Delivering Database as a Service
  • Automation and Authentication – Service Management Automation and ADFS
  • Extending WAP Capabilities with Partners' Solutions
    • Sales Rank: #1190593 in eBooks
    • Published on: 2016-01-29
    • Released on: 2016-01-29
    • Format: Kindle eBook

    About the Author

    Amit Malik

    Amit Malik is an IT enthusiast and technology evangelist from Delhi, India. He specializes in Virtualization, Cloud, and emerging technology space. He has an intense knowledge in building cloud solutions with Microsoft Windows Azure Pack. Amit holds various industry admired certifications from all major OEM's in Virtualization and Cloud space including MCSE for Private Cloud. Amit has designed and built numerous virtualization and private cloud solutions comprising the product lines of Microsoft, VMware, and Citrix. Apart from these, he can be found working on emerging technologies including VDI, hyper convergence, Software Defined Infrastructure solutions including networking and storage, Containers, Big Data, IoT, and other similar technologies. Amit is interested in building products and doing product management in near future for related technology space. You can always reach Amit on LinkedIn (https://in.linkedin.com/in/amitmalik99)or email (contact2amitmalik@gmail.com)

    Most helpful customer reviews

    2 of 2 people found the following review helpful.
    Azure Road Map!
    By Bill Jones
    I work in a datacenter and knowing about product offerings is what keeps you moving forward, Azure is huge and highly scalable. I use VMware on a daily basis and while I really enjoy using the product, I feel they need to work on their future with developers to stay current. This book guides you into setting up Azure Pack from start to nearly finished, you'll want to expand on this setup but it get's you going in the right direction. Recommend this book to anyone who is tech savy and enjoys getting hands on.

    1 of 1 people found the following review helpful.
    Your very own cloud need not be a dream anymore
    By adnan baloch
    You are probably reading this review because terms like IaaS, PaaS, DBaaS and SaaS rock your boat. Love daunting technical
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    1 of 1 people found the following review helpful.
    NIce book for Windows Azure Pack
    By Amazon Customer
    NIce book for Windows Azure Pack

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    Selasa, 26 Agustus 2014

    [O415.Ebook] Download Ebook The Finite Difference Time Domain Method for Electromagnetics: With MATLAB Simulations, by Atef Z. Elsherbeni, Veysel Demir

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    The Finite Difference Time Domain Method for Electromagnetics: With MATLAB Simulations, by Atef Z. Elsherbeni, Veysel Demir



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    The Finite Difference Time Domain Method for Electromagnetics: With MATLAB Simulations, by Atef Z. Elsherbeni, Veysel Demir

    The scope of the book is the fundamental techniques in the FDTD method. The book consists of 12 chapters, each chapter built on the concepts provided in the previous chapters.

    In each chapter the details of the concepts are discussed at a graduate student level. Using this book, students will be able to construct a program with sufficient functionally to solve some basic problems. The construction of final equations is presented with a detailed step-by-step approach. In most cases the full-set of equations are provided.

    While constructing the equations, the reader needs to visualize the positioning and orientation of field components in a three dimensional space. This is very difficult and usually requires extensive experience to be able to imagine the 3D space. Therefore, the book presents the construction of equations accompanied by a nice set of 3D illustrations. The figures greatly facilitate the understanding of the concepts.

    While the concepts are being presented, it has been kept in mind that the outcome of the book will be a software package that will be sufficient to solve several types of basic electromagnetic problems. In each chapter the transformation of the concepts into programming is explained. Therefore the chapters are presented in such a way that, by adding/developing a new part of the code, chapter by chapter, at the end a well developed FDTD simulation package will be constructed.

    A Solutions Manual is also available.

    • Sales Rank: #1301816 in Books
    • Published on: 2009-12-01
    • Original language: English
    • Number of items: 1
    • Dimensions: 10.10" h x .90" w x 7.20" l, 1.94 pounds
    • Binding: Hardcover
    • 450 pages

    About the Author
    Atef Z. Elsherbeni is G.A. Dobelman Distinguished Professor of Electrical Engineering and Computer Science, Colorado School of Mines.

    Most helpful customer reviews

    0 of 0 people found the following review helpful.
    Very useful book, but could be organized a bit better.
    By bill
    I hate to admit how often I use this book as a reference, rather than some of the more in-depth and technical tombs. It comes with a fully working MatLab simulation, but the organization of the software is a bit scattered. The presentation in the book is also a bit strange, jumping between explaining what is happening and large listings of MatLab code I had to piece routines from several chapters together to get a working version with the features I wanted. It covers all the topics you would need to get your own code going, or to understand the fundamentals of FDTD. If you are only a user of off the shelf FDTD, this book will still be very useful in introducing you to some of the limitations or quirks that you might run into, and giving you an in-depth understanding of what happens behind the scenes.

    3 of 4 people found the following review helpful.
    surprisingly effective example code listings
    By Brady Whisenhunt
    I'd just like to mention from personal experience that i was skeptical at first about whether or not i was wasting my time with this book. However it ended up becoming one of the most useful textbooks i've ever read, to the extent to which a textbook teaches the reader how to do something and how to understand something. from a pedagogical perspective I think this one is at the top of the heap.

    this is an intro text to be sure. i would have paid an extra 20 bucks if there had been a section on dispersive media and/or Drude metals, but alas, the book does not go that far. no example codes on irregular grids either. but as an intro book this one goes from the basics of how fdtd works to detailing how to set up several typical EM problems, and even includes some of the more complicated topics such as CPML regions and nonlinear lumped element modeling.

    from an academic perspective, yes, if you truly want to know every detail of FDTD go pick up the Taflove/Hagness book like anyone else would recommend you do. maybe it's just my particular learning style that the author used, but whatever it was, he hit the nail on the head. i went from knowing essentially nothing about FDTD to fine-tuning an impressive looking MATLAB simulation of a very cool nanophotonics experiment i ran with a pulsed terahertz source.

    you can get a very impressive fdtd simulation running from these example codes. The only requirement is that, in my opinion, you MUST actually read the book. it is the only way you will be able to understand how the author wrote the subroutines, and what is necessary and what is not for your particular application. You may have to (as I did) write one or two small .m files of your own if you have unique geometries in your simulation or require additional modifications, but the code is written so well, integration of your own code with the author's is relatively seamless.

    the bad news there will be no other help for you from anywhere except book if you can't immediately figure out how to get the example code running. the good news is that this is a very quick read, and the book is very clearly-laid out. if you invest a little time in it you will learn A LOT. i read the book cover to cover in my spare time over the course of about two weeks, and that was all the preparation i needed to figure out how to piece together the sample codes from the CD ROM. it can be done, and the code does work. good luck! :)

    0 of 0 people found the following review helpful.
    one of the better FDTD books
    By bustofnewton
    Very good practical introduction to the FDTD method.

    and even though you couldn't solve a real problem with matlab code, the matlab code does exactly what it should, shows you something that works and allows you to see how it does work.

    the book is well organized and clearly written.

    While Taflove's book is better for shear volume of information, it would be much harder to develop working simulations using it.

    See all 12 customer reviews...

    The Finite Difference Time Domain Method for Electromagnetics: With MATLAB Simulations, by Atef Z. Elsherbeni, Veysel Demir PDF
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    Minggu, 24 Agustus 2014

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    Magnus Chase and the Gods of Asgard, Book 2 The Hammer of Thor, by Rick Riordan

    Thor's hammer is missing again. The thunder god has a disturbing habit of misplacing his weapon--the mightiest force in the Nine Worlds. But this time the hammer isn't just lost, it has fallen into enemy hands. If Magnus Chase and his friends can't retrieve the hammer quickly, the mortal worlds will be defenseless against an onslaught of giants. Ragnarok will begin. The Nine Worlds will burn. Unfortunately, the only person who can broker a deal for the hammer's return is the gods' worst enemy, Loki--and the price he wants is very high.

    • Sales Rank: #43 in Books
    • Brand: Disney
    • Published on: 2016-10-04
    • Released on: 2016-10-04
    • Original language: English
    • Number of items: 1
    • Dimensions: 8.75" h x 1.50" w x 6.00" l, 1.00 pounds
    • Binding: Hardcover
    • 480 pages
    Features
    • Magnus Chase and the Gods of Asgard, Book 2 The Hammer of Thor

    Review
    "Riordan has once again created a reluctant hero who finds himself out of his depth. He stays fairly close to the spirit of the original myths, twisting them for extra comedic effect-Avengers fans may hardly recognize this blustery, red-headed, TV-binge-watching Thor. There's appeal for new readers, but Percy Jackson fans will also undoubtedly snap this up, and there's even some overlap: Magnus' cousin is Annabeth Chase. Buy extra copies, and prepare for the siege.
    HIGH-DEMAND BACKSTORY: Norse myths are in right now, and Riordan has the magic touch, a combination that makes the extensive marketing campaign seem almost redundant."―Booklist

    About the Author
    Rick Riordan, dubbed "storyteller of the gods" by Publishers Weekly, is the author of three #1 New York Times best-selling middle grade series with 45 million copies sold throughout the world: Percy Jackson and the Olympians, based on Greek mythology; the Kane Chronicles, based on Ancient Egyptian mythology; and the Heroes of Olympus, based on Greek and Roman mythology. Rick collaborated with illustrator John Rocco on two best-selling collections of Greek myths for the whole family: Percy Jackson's Greek Gods and Percy Jackson's Greek Heroes. The first book in his Magnus Chase and the Gods of Asgard trilogy based on Norse mythology, The Sword of Summer, also debuted at #1 on the New York Times list. Rick lives in Boston, Massachusetts with his wife and two sons. Follow him on Twitter at @camphalfblood.

    Most helpful customer reviews

    35 of 39 people found the following review helpful.
    Couldn't Put It Down!
    By Amazon Customer
    Read it in 3 hours flat this evening. Very well written, nice pacing, wonderful character development. Magnus and crew are very wonderful characters to care about during their trials, which makes the story very gripping to read. Unlike his previous series, the direction of the story flows much more smoothly, not having to worry about multiple viewpoints or flat main characters. There is a slight time reference discrepancy, but nothing that takes away from the flow of the story. It was a fantastic addition to a series that started off with a strong first book. Perhaps this is his best written series yet!

    Now a not complaint, but observation for parents.
    This series is much more violent than previous Percy Jackson/HoO novels, as the Norse/Heathen mythos is more outright violent than its Greek counterpart. It works well with the type of story Riordan tells, and gives more emotional investment in the plot, but make sure you want your preteen to read about decapitation/gore in such a way. As an adult it added stakes and layers to the story, and was wonderful, but I can see where some parents may be caught off guard by the brutality of some descriptions. Recommend personally for 14+ age range for the casual violent scenes.

    6 of 6 people found the following review helpful.
    A Little Bit More Outside the Box
    By Beth H.
    Cross-posted on Tween Book Blog

    Why I picked it up: I like wise-cracking teens and Norse Gods. Especially together.

    Why I finished it: I mentioned in another review that Riordan's books seem formulaic; while this one isn't any different in terms of the formula department, Riordan has at least mixed it up a little for his readers by going a little bit more outside the box with his characters. They feel more rounded somehow, like even though they are involved in this supernatural world there is still the real world to contend with as well. The fluidity with which the real world relates to the supernatural seems much more urgent and apparent, perhaps because of the juxtaposition between Magnus and Sam. Magnus is dead, but can still cross over to the real world while Sam is still alive and can cross into the world of the dead. Sam still has family and school and everyday teen problems to deal with on top of whatever supernatural duties go along with being a Valkyrie, helping ground the reader even as we are rocketing among the Nine Worlds. Magnus's wit and sarcasm add a certain spin to the dire situations in which our characters seem to find themselves, keeping the reader eager for the sort of tongue-in-cheek style that has defined the protagonist. I think it's somewhat poignant that Riordan has introduced a gender fluid character to the cast - it shows he's keeping with the times and getting in touch with his audience. Really I think what I got most out of this volume is the idea that we might not be able to change where we came from, but we can define who we are in a way that is true to ourselves and how we want the world to see us. We don't all fit the labels that society wants to place on us - we need to be able to defend our identities and be comfortable in our own skins. We all need to have confidence in who we are and what we believe in, even if it might seem strange or hard to understand. And on the flip side, we need to be understanding and supportive of those around us, even if we don't always agree with their point of view - that's how I see it, in any case. It's a surprisingly fast read considering the book is a hefty 480 pages and I'm eager to see what new adventure and danger Magnus and his friends will face when the third book comes out in the fall.

    5 of 5 people found the following review helpful.
    A fun sequel
    By Kami
    I had a blast reading the first book and was very excited to read the rest. I have to say the side characters really fascinate me and would love to learn or read more about them. I may even like them more than Magnus. I recommend this series for any fan of the author.

    See all 310 customer reviews...

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    Sabtu, 23 Agustus 2014

    [S110.Ebook] Download Max Perkins: Editor of Genius, by A. Scott Berg

    Download Max Perkins: Editor of Genius, by A. Scott Berg

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    Max Perkins: Editor of Genius, by A. Scott Berg

    Now the Major Motion Picture Genius, Starring Colin Firth, Nicole Kidman and Jude Law.

    The National Book Award winner from Pulitzer-Prize winning author A. Scott Berg.
     
    The talents he nurtured were known worldwide: F. Scott Fitzgerald, Ernest Hemingway, Thomas Wolfe, and numerous others. But Maxwell Perkins remained a mystery, a backstage presence who served these authors not only as editor but also as critic, career manager, moneylender, psychoanalyst, father-confessor, and friend.
     
    This outstanding biography, a winner of the National Book Award, is the first to explore the fascinating life of this genius editor extraordinare—in both the professional and personal domains. It tells not only of Perkin’s stormy marriage, endearing eccentricities, and secret twenty-five-year romance with Elizabeth Lemmon, but also of his intensely intimate relationships with the leading literary lights of the twentieth century. It is, in the words of Newsweek, “an admirable biography of a wholly admirable man.”

    • Sales Rank: #24685 in Books
    • Published on: 2016-06-07
    • Released on: 2016-06-07
    • Original language: English
    • Number of items: 1
    • Dimensions: 8.90" h x 1.10" w x 6.00" l, .0 pounds
    • Binding: Paperback
    • 512 pages

    Amazon.com Review
    The man who invented the modern profession of book editing finally got his due, 31 years after his death, when this revelatory biography appeared. A. Scott Berg's detailed explication of Maxwell Perkins's work on the manuscripts of F. Scott Fitzgerald, Ernest Hemingway, Thomas Wolfe, and a host of other important American writers shows how much the Scribner's editor contributed to their books, all the while maintaining that he only helped his authors find the best in themselves. This 1978 National Book Award winner is a thorough, carefully considered account of a seminal period in American publishing.

    Review
    “A highly readable work of literary history.”—The New York Times Book Review
     
    “Berg has told this story unobtrusively and with great feeling, and he has (perhaps just in the nick of time) rescued Perkins from permanent obscurity.”—The Atlantic
     
    “[An] exhaustive, penetrating, and wholly satisfying biography...Scrupulous, thoughtful, touching, memorable, and eminently rewarding.”—Jonathan Yardley, The Miami Herald
     
    “Talented, intelligent, and marvelously researched...A work that does honor to the subject.”—Chicago Tribune
     
    “Berg’s whole narrative is first-rate—filled with humor and feeling. Max would have published it in a minute.”—Newsweek
     
    “Although Perkins would have been embarrassed by the attention, Berg’s tribute would have touched him.”—Time
     
    “A book about Maxwell Perkins? Of course! Why didn’t someone think of it before?...Berg has done very well...It’s a fascinating and illuminating story.”—Chicago Sun-Times
     
    “As complete a Max Perkins as we will ever need. It’s an extraordinary vivid portrait.”—Webster Schott, The Washington Post Book World
     
    “Perkins turns out to have been as fascinating, dark, complex, and sad as any of his golden boys. A lovely book about the age of giants and the extraordinary man in the shadows behind them.”—Russell Baker
     
    “Max Perkins was the best of the best. This book brings him back alive.”—Erskine Caldwell
     

    About the Author
    A. Scott Berg is the #1 New York Times bestselling author of five biographies: Max Perkins: Editor of Genius, winner of the National Book Award; Goldwyn, for which he received a Guggenheim Fellowship; Lindbergh, winner of the Pulitzer Prize; Kate Remembered, his biographical memoir of Katharine Hepburn; and Wilson, the definitive biography of twenty-eighth president Woodrow Wilson.

    Most helpful customer reviews

    32 of 32 people found the following review helpful.
    Scott Berg's top-notch mix of history and anecdote.
    By A Customer
    If you are an admirer of F.Scott Fitzgerald, Ring Lardner, Thomas Wolfe, Earnest Hemingway, Marjorie Rawlings; basically any significant American writer of fiction during the first half of this century--buy the book. Here's how I would put it: If those authors could send ONE, just one posthumous request for you to purchase a particular book, "Perkins: Editor of Genius" would be my sincerely expected choice. Why? Because he wasn't just the "editor of genius": he was their friend. Maybe in some cases like Mr. Wolfe's, the only REAL friend of a lifetime. Fitzgerald wrote in his last years, " Max, you are the only person who has never lost faith in me." Even after Scott Fitzgerald's too short existence, Max was a warrior for a reputation which he confidently predicted would survive the fads of that time. This is a study for those of us who can only regret never meeting him, a study in accepting the short-comings of others with understanding; and demanding the best from ourselves. Words are cheapened by their use in describing Max, because their cousins are seen so often where the object is so less deserving, but buy the book. Mr Berg paints a wonderous, living picture, whose thousand words I believe venerable Perkins would have approved--if somewhat sheepishly.

    11 of 11 people found the following review helpful.
    Return to the golden age of American literature as Max Perkins the Scribner editor in chief works with our greatest authors!
    By C. M Mills
    Long before his bestseller ":Wilson":": ":Lindbergh": and other celebrity subjects, A. Scott Berg published in 1978 ":Max Perkins Editor of Genius.": As an old English major I would bet that most college English professors never heard of this important man of American letters! This excellent biography should fit the bill in introducing to modern readers a crucial figure in publishing history!
    Maxwell Perkins was born into the home of an affluent attorney in New York City in 1884. He graduated from Harvard with a degree in economics. Perkins worked briefly as a newspaper report before being hired by Scribners in 1910. He died in 1948. What makes this book a joy is to see Perkins working as a mentor, critic, friend and editor of many important authors. Among them":
    Francis Scott Key Fitzgerald": Perkins had a close relationship with the alcoholic and depressive Fitzgerald. Chapters are devoted to how Perkins guided Scott through such masterpieces as The Great Gatsby, Tender in the Night and his first big seller This Side of Paradise. Many anecdotes deal with Perkins visits with Scott and Zelda his mentally ill but talented wife.
    Ernest Hemingway was the best seller of all the Scribners authors. Hem won the Nobel Prize for Literature for such great novels as The Sun Also Rises, Farwell to Arms, For Whom the Bell Tolls, The Green Hills of Africa and many more novels and short stories.
    Hemingway was rough hewn who loved his role as a macho he-man. Perkins viewed him as a younger brother. Perkins often visited with Hemingway in Key West and other locales where the two close friends hunted and fished together.
    Thomas Wolfe-The giant in size novelist from Asheville North Carolina viewed Perkins as a father figure. Without the revising of such mammoth Wolfe books as Look Homeward, Angel and Of Time and the River it is doubtful if these works would have been publishable. Perkins also provided advice for Wolfe in the latter';s long affair with Aline Bernstein.
    Perkins was loved by women authors though he was faithful to his wife Louise. The two often argued. She wanted to act. They had five daughters. Perkins had a long Platonic relationship wiith Elizabeth Patterson of wealthy Virginia stock. Perkins loved to wear his hat inside the office and enjoyed drinking in bars. He was a kind man who became Vice-President of Scribners guiding the
    company through the Great Depression.
    This is an excellent biography of a man who is little known today to the general public but is a fascinating and important editor.

    4 of 4 people found the following review helpful.
    Very interesting read...forget the movie!
    By PattyH
    I bought this book to read prior to seeing the movie, Genius. The book is fascinating and reveals the absolute importance of this editor in nurturing (practically parenting in many cases) and contributing to the success of his writers. I just wish the movie would have followed the real stories in the book rather than inventing situations that weren't necessary or true. The lives Perkins and his writers lived need no messing with to be compelling! Perkins was an amazing man and if there is anything I can recommend about the movie, it's Colin Firth in the role of Perkins, showing his humanity, patience and how the swirl of all their lives together yielded iconic results in publishing if not so happy ones in life.

    See all 96 customer reviews...

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    Kamis, 21 Agustus 2014

    [E655.Ebook] Free Ebook Star Wars Origami: 36 Amazing Paper-folding Projects from a Galaxy Far, Far Away....Chris Alexander

    Free Ebook Star Wars Origami: 36 Amazing Paper-folding Projects from a Galaxy Far, Far Away....Chris Alexander

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    Star Wars Origami: 36 Amazing Paper-folding Projects from a Galaxy Far, Far Away....Chris Alexander



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    Star Wars Origami: 36 Amazing Paper-folding Projects from a Galaxy Far, Far Away....Chris Alexander

    Kids love origami—and what could be cooler than transforming a piece of paper into Boba Fett, Princess Leia, Yoda, or R2-D2? And not just any paper, but custom-designed paper illustrated with art from the movies. Star Wars® Origami marries the fun of paper folding with the obsession of Star Wars. Like The Joy of Origami and Origami on the Go, this book puts an original spin on an ancient art. And like Star Wars® Scanimation® and Star Wars® Fandex®, it’s a fresh take on Star Wars mania.

    Chris Alexander is a master folder and founder of the popular website StarWarsOrigami.com, and here are 36 models, clearly explained, that range in difficulty from Youngling (easy) to Padawan (medium), Jedi Knight (difficult), and Jedi Master (tricky!). A front section introduces origami definitions and basic folds. Bound in the back is the book’s unique folding paper, two sheets for each figure. Illustrated with original art, it makes each creation—the essential lightsabers, the Death Star, and much more—true to the movies.

    Star Wars Origami includes a foreword by Tom Angleberger, author of the New York Times bestsellers The Strange Case of Origami Yoda and Darth Paper Strikes Back, and is scheduled to be published at the same time as Angleberger’s upcoming book, The Secret of the Fortune Wookiee.

    • Sales Rank: #3310 in Books
    • Size: One Size
    • Color: Natural
    • Brand: Workman Publishing
    • Published on: 2012-08-07
    • Original language: English
    • Number of items: 1
    • Dimensions: 8.00" h x .94" w x 8.50" l, 1.67 pounds
    • Binding: Paperback
    • 272 pages

    Amazon.com Review
    A Look Inside Star Wars Origami Click here for a larger image Click here for a larger image Click here for a larger image Click here for a larger image

    About the Author
    Chris Alexander began doing origami at the age of four. Since then he’s created dozens of original designs, many of them Star Wars themed. He has a large Star Wars fan base and tours the country folding at conventions and museums. He lives in Lancaster, California.

    Most helpful customer reviews

    136 of 145 people found the following review helpful.
    Folding Frenzy!
    By Alison's
    It's a folding frenzy in my house!!

    My two young Jedis are already pros at folding an Origami Yoda and Origami Vader, thanks to Tom Angleberger's books, The Strange Case of Origami Yoda and Darth Paper Strikes Back. In fact there is a foreward by Tom Angelberger in which refers to himself as a Padawan, and Chris Alexander as the Jedi Master of Star Wars Origami.

    As the Master will probably tell you, in order to make one of the 36 - yes, 36 - Star Wars origami figures in the book, you need to go over some of the basics. My young Jedis thought they could skip over this training chapter and jump right into folding the Millenium Falcon. Ten minutes later two very frustrated boys came up to me begging for my help. It takes more than the force to make a good paper light saber!

    A fun book for the whole family, there are different levels of difficulty in the book. In the Index, there is a list of project separated by level of difficulty - starting with Han Solo, moving to Chewbacca, and eventually working toward a Naboo Starfighter.

    One thing that makes STAR WARS ORIGAMI so special - aside from the obvious Star Wars connection - is the paper. In the back of the book, there are specially designed paper to use along with each folding project. There are two sheets of paper to go with each project. See the Boba Fetts up there? If they were folded with just white paper they would still be neat, no doubt, but how cool are they with their special paper?? Awesome, right?

    Needless to say, we love this book.

    65 of 71 people found the following review helpful.
    Lots of fun projects
    By Noname
    I went to see Chris Alexander at the Star Wars Origami panel at the San Diego Comic-Con, where he taught us a couple of origami projects from "Star Wars Origami." We made Boba Fett and a lightsaber. When I bought the book, I searched for the most difficult project and made Jabba the Hutt first. It wasn't bad. Then, I tried the X-Wing, which was one level down in difficulty, but I got a little lost and gave up on it.

    Each project comes with a synopsis of the character, droid, or ship we are making, in case we are unfamiliar with its role in the saga. Many are well-known, like Princess Leia and the X-Wing, but some are lesser characters, like Taun We, or the Armored Assault Tank. Inserted between the pages every now and again are trivia pages to test your Jedi prowess. Do you know how many starships survived the battle of Yavin?

    The projects are indexed by difficulty level. Many of them come with two pieces of printed origami paper, in case we want to repeat it. I would like it if the origami paper was labeled with the project name. I don't like searching and it's not always obvious.

    Also, the origami paper has an arrow on the back of each page. I'm not sure how that is supposed to be oriented when we start working. I just fold and hope it's right. Luckily, it was good when I did Jabba the Hutt.

    My son is eleven and he thought this book was too difficult. The children were frustrated at the panel we attended and so were many of the adult attendants. My husband wouldn't even try. He thought it was hard, and the lightsaber (the one we were being taught) is one of the easiest projects. I would say the book is definitely geared more for adults. I can get most of the folds, but the sink fold is extremely difficult for me to do properly, even though I understand what needs to be done (hard to explain here, but the fold is inverted).

    For the adult Star Wars fan, this is a wonderful book.

    ____________

    UPDATE 2/3/13: Just to clarify my rating of this book as it was brought to my attention that it appears I'm complaining a lot about this book. It was my intention to alert the buyer that this is not easy for children to do. It is better for an adult or teen, one who is good at following visual instructions. I am able to do most of the projects that I attempt; and I did try to do the most difficult ones first, just to see how challenging that can be. It is a great book, if you know what you are getting into.

    0 of 0 people found the following review helpful.
    Two Stars
    By K. Fan
    Instructions are not very good. Hard for kids.

    See all 425 customer reviews...

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    Jumat, 15 Agustus 2014

    [G130.Ebook] Fee Download History: Fiction or Science? Chronology 1, by Anatoly Fomenko

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    History: Fiction or Science? Chronology 1, by Anatoly Fomenko

    History: Fiction or Science? is the most explosive tractate
    on history ever written – however, every theory
    it contains, no matter how unorthodox, is backed by
    solid scientific data.
    The book contains 446 graphs and illustrations, copies
    of ancient manuscripts, and countless facts attesting
    to the falsity of the chronology used nowadays,which
    never cease to amaze the reader.
    Eminent mathematician proves that:
    Does this sound uncanny? This version of events is
    substantiated by hard facts and logic, validated by
    new astronomical research and statistical analysis of
    ancient sources – to a greater extent than everything
    you may have read and heard about history before.
    The dominating historical discourse in its current
    state was essentially crafted in the XVI century from
    a rather contradictory jumble of sources such as innumerable
    copies of ancient Latin and Greek manuscripts
    whose originals had vanished in the Dark Ages
    and the allegedly irrefutable proof offered by late mediaeval
    astronomers, resting upon the power of ecclesial
    authorities. Nearly all of its components are
    blatantly untrue!
    For some of us, it shall possibly be quite disturbing
    to see the magnificent edifice of classical history turn
    into an ominous simulacrum brooding over the snake
    pit of mediaeval politics. Twice so, in fact: the first
    time, the legendary millenarian dust on the ancient
    marble turn into a mere layer of dirt – one that meticulous
    unprejudiced research can eventually remove.
    The second, and greater, attack of unease comes with
    the awareness of just how many areas of human
    knowledge still trust the three elephants of the consensual
    chronology to support them. Nothing can
    remedy that except for an individual chronological
    revolution happening in the minds of a large enough
    number of people.

    • Sales Rank: #365392 in eBooks
    • Published on: 2015-08-02
    • Released on: 2015-08-02
    • Format: Kindle eBook

    Review
    Earth was flat. Humans saw that it was flat, books were telling scholars that it was flat, teachers were teaching students it was flat; scientists knew it was flat. There was some disagreement about the way it was kept afloat, most common versions were elephants, whales and turtles, but that was subject for scientific discussion. Until Magellan sailed around the globe and proved all this science wrong. This book is precisely about same situation. Although it is written for casual reader, it still bears all the traits of scientific research. Anyway, history as a science is based on books written by previous generation of historians, who based their works on works of previous generation of historians, supplemented by archeological digs (great deal of assumptions was made there too, as people didn't usually mark their belongings with dates), so it definitely needs some mathematical treatment. It is very difficult to digest the new version of history from Fomenko without getting allergic shock. Official timeline is accepted in the same way as gravity, and movement of the sun; many nations have developed their identity based on official history. Literally speaking chronology is in our culture, in our roots, personal identity. Someone said here that this book was written by Russian nationalist to reassure Russian national identity. May be so, but I think for Russians will be very difficult to swallow that they were actually Mongols and Tatars too. This book will turn your world upside down. Literally. --New Book Review, 03-03-2007 (CA, USA)

    History: Fiction Or Science? is a quite scholarly expose of the extreme limitations of our understanding of human history. So few physical records have survived hundreds, let alone thousands of years that it casts even the most conventional understanding of what really happened into doubt. Chapters address the problems of historical chronology in general, astronomical datings, astronomy in the Old Testament, methods of dating ancient events via mathematical statistics, the construction of a global chronological map, the Dark Ages, and much more. Black-and-white illustrations add a vivid touch to this scholarly work that may appear controversial yet deals with a very serious issue directly affecting humanity's comprehension of its own past. --Midwest Book Review (Oregon, WI USA)

    About the Author
    Fomenko, Anatoly Timofeevich. Born in 1945. Full Member (Academician) of the Russian Academy of Sciences, Full Member of the Russian Academy of Natural Sciences, Full Member of the International Higher Education Academy of Sciences, Doctor of Physics and Mathematics, Professor, Head of the Moscow State University Department of Mathematics and Mechanics. Solved the Plateau s Problem from the theory of minimal spectral surfaces. Author of the theory of invariants and topological classification of integrable Hamiltonian dynamic systems. Laureate of the 1996 National Premium in Mathematics of the Russian Federation for a cycle of works on the Hamiltonian dynamic system multitude invariance theory. Author of 180 scientific publications, 26 monographs and textbooks on mathematics, a specialist in geometry and topology, variational calculus, symplectic topology, Hamiltonian geometry and mechanics, computer geometry. Author of a number of books on the development of new empirico-statistical methods and their application to the analysis of historical chronicles as well as the chronology of antiquity and the Middle Ages.

    Most helpful customer reviews

    10 of 10 people found the following review helpful.
    Have you ever seen something so stupid that you became completely and utterly fascinated by it?
    By Amazon Customer
    I didn't want to be suckered into giving this guy any more money but I just couldn't help myself. This is one most interesting reads I've ever come across. Not because I believe it; but because trying to wrap my head around what state you have to be in to come up with something like this is the most difficult yet enjoyable enterprises I have attempted in recent years.

    5 stars
    10/10
    Two very enthusiastic thumbs up

    106 of 141 people found the following review helpful.
    Pseudohistory at its Worst
    By Arch Stanton
    The only conspiracies here have to do with the number of insanely positive reviews. There are twenty(!) here where the reviewer only has one review to their name and it's a five-star review for this book. And more coming. Funny that. It's almost like somebody has set up multiple accounts and is trying to up the rating. Parallelism indeed. Two with no other reviews may be coincidence. But twenty? Twenty! Good job buddy. Very subtle. You might as well have just copied and pasted your review.

    So, I'm not a mathematician and I don't know enough to contradict Fomenko's math, but I don't have to. By that reasoning Fomenko wouldn't be able to contradict me because I'm a Classical History Major and this is (ostensibly) a History book. I can tell you exactly why his math must be wrong and why he should be ashamed to call himself a scientist. Scientists must make the models match the data, not the other way round. When the facts don't fit your theory then the problem isn't with the facts, it's with your theory. And boy do the facts not fit this 'theory.' It would be hard to think of a way in which history could make less sense than it does through his model.

    First, a brief explanation for anyone not familiar with this book. Anatoly Fomenko is a Doctor of Mathematics at Moscow State University. Despite a lack of support from his colleagues (who consider his ideas on history nuts) he published a series of seven books in which he rewrote the history of the world based on his ideas of Statistics. As explained on the back cover, "Jesus Christ was born in 1053 A.D. and crucified in 1086 A.D. The Old Testament refers to mediaeval events. Apocalypse was written after 1486 A.D." I'll go more into why he thinks that makes sense later. The Roman Empire and all of Classical civilization was invented by Jesuit monks who wrote in a remarkably short time all of Western literature and invented an entire civilization which people then immediately forgot never existed. All Classical buildings are simply medieval ones that have been misdated.

    And now a brief history of... well history, as seen through Fomenko-vision: History begins when Andronicos Comnenos dies and becomes Jesus. History records him as an unsuccessful Greek emperor with no real successes who was beaten to death by the mob and not a poor prophet from Nazareth who was crucified but hey, what do they know. It's not like the crucifixion was an important part of the story or anything. Immediately all of Europe decides that they're Christian and march against the Muslims. It may sound confusing why they'd blame the Muslims for what was an internal coup but they were probably just confused because Mohammed wasn't born yet. At some point they changed their minds and decided to skip the first three crusades and jump straight onto the Fourth (except that they didn't. It was actually the same as the First. Obviously. Please try and keep up). They then sacked Constantinople which was also Rome which was Troy which was Jerusalem. At some point they get confused and occupied the Holy Land as well and then forget all about Constantinople and let it fall back to the Greeks since Jerusalem was now Constantinople which was Troy which was Rome. People back then had very short memories often forgetting why they did something before they even did it. Very sad. During the First Crusade the Greeks decide to avenge the kidnapping of their queen by... also sacking Constantinople. After sacking their own city they quietly vanish for a few years, probably in embarrassment. Some time later Erasmus wrote the New Testament confusing generations of scholars who wondered what they had been copying out for all that time. Having now written a New Testament it was decided that they needed an Old one. I'm sure the reasons for the reversed order are as obvious to everyone else as they are to Fomenko. Some time in the 15th Century David rose up, except that he was Turkish and ruled in Constantinople. Despite the many wars with the Turks Europe had never warred with the Turks and accepted all of these events as holy writ. After all, the Turks were really Russian in funny hats and the Russians ruled the world. The Byzantines were secretly ruling in England. After the death of Solomon (Suleimon) the Jews split off from Christianity because they were tired of not being persecuted because of something they didn't do and decided that being hunted by the Inquisition was more fun. In the confusion the Catholics and Orthodox Christians split apart as well because everyone else was doing it and it seemed a good idea at the time. They were to regret this later when the Catholics sacked their city but that had already happened so it was fine.

    It turns out that Russia has dominated the world since the earliest recorded history (what nationality was Fomenko again?). The Mongols were not from Mongolia because the people there are nothing but worthless servants of the Russian Empire (it's ok. Fomenko assures us that the Mongols never knew of Genghis Khan until some pesky monks told them that they used to rule the world). Russia was actually the major Empire that the Romans were based off of and have existed since the dawn of civilization. Silly Georgians thinking they are anything but the personal property of Russia! Ha ha. They also controlled America, Europe and North Africa by 1300 so I guess that we should all submit to the Russian yoke as is our hereditary duty. Occasionally a czar would allow the governors of Europe (kings hah!) to wage war on each other if they pleased him. Presumably the English sucked up to him better than France which is why they did so well in the Hundred Years War but then lost his favor again which resulted in the French winning. Joan of Arc was probably the czar's sister or something. The czar could summon anyone to his court and they had to obey which is why Moscow is renowned the world over as being filled with better artwork and architecture than such dives as Paris and Rome (which isn't the REAL Rome after all). After Russia fell in the 1600s (through internal troubles. No one could EVER conquer Russians) the rest of the world immediately conspired to hide that they ever existed lest they should try to rule over them again. Thus they erased this empire from the history books and replaced it with such lies as Rome and the Holy Roman Empire (couldn't they even pick a new name? Obvious!). Thus the treacherous Romanovs rose to power (did I mention that he first published this under the Soviets?) and they too decided to forget there had ever been a Russian Empire of such a scale. Many "Roman" documents are simply Russian ones with a few name changes. Latin is merely corrupted church Slavonic despite belonging to an entirely different branch of the language family. The Russians probably invented it to confuse future generations of schoolkids. They had after all had it engraved all over the southern part of their empire on specific styles of buildings which they immediately buried and built medieval cities on top of to confuse archaeologists. It never showed up in Russia itself. Perhaps they punished the provinces by making them write everything in Latin. Oh those cruel Russians. After the late 18th Century things begin to return to what is normally called history.

    As you can see it is far less confusing than the 'conventional' timeline. You might think I'm making this up but that is what you get when you put all his history together. Minus the sarcasm perhaps.

    It seems best to explain why he is wrong about the facts he lists before going into the facts that he's ignoring. First off comes a good example of how he combines Classical and Medieval history together. To him the First Crusade and the Trojan War are the same event. One of Fomenko's favorite tools, a chart, might demonstrate why this is.

    Simularities:
    First Crusade . . . . . . . . . . . . . . . . . . . . . . . . ..| Trojan War
    A war . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..| A war
    Sieges involved . . . . . . . . . . . . . . . . . . . . . . . .| All about a siege
    East vs. West . . . . . . . . . . . . . . . . . . . . . . . . .| East vs. West
    Um, took place on the planet earth . . . . . . . . . . .| Probably the same if it happened at all...

    The differences:
    First Crusade . . . . . . . . . . . . . . . . . . . . . . . . ..| Trojan War
    Lead by Bohemund, Raymond, Geoffrey, etc. . . . ..| Led by Agamemnon, Achilles, Odysseus, etc. (No matching names)
    Fought for religious reasons . . . . . . . . . . . . . . . .| Fought for political/personal reasons
    Traveled by land . . . . . . . . . . . . . . . . . . . . . . ..| Traveled by sea
    Leaders fought on horseback . . . . . . . . . . . . . . .| Leaders arrived on chariots, fought on foot
    Weapons: lances, spears, iron swords, chain mail ..| Weapons: spears, bronze swords, bronze greaves
    All participants monotheist . . . . . . . . . . . . . . . ..| All participants polytheist
    Came from all over Europe . . . . . . . . . . . . . . . . .| Came from Greece
    Lasted three years . . . . . . . . . . . . . . . . . . . . . .| Lasted ten years
    Went to recover city . . . . . . . . . . . . . . . . . . . ..| Went to destroy city and recover wife
    Set up a kingdom on enemy land . . . . . . . . . . . . .| Immediately returned home
    Leaders became kings and lords of new land . . . . ..| Leaders offend the gods and are punished
    Archaeology confirms presence in Israel . . . . . . . ..| Archaeology confirms presence in Greece
    Mentioned the Trojan War in documents . . . . . . . .| Was the Trojan War...

    As you can clearly see there is a great deal there fully justifying the combination of these two events as the same war. How could it not be?...
    Clearly this idea is nuts and fails on any comparative level. There are almost no similarities between the two events except that they were both famous. To combine the two would require removing all facts except for the sieges. If you discard all that then there is nothing left.

    His arguments for this are all mathematical and rely on eclipse records and other such information as well as a statistical analysis so vague that multiple mentions of sieges mean they must be the same one. By that reasoning my name is Stuart therefore I must be a king since previous Stuarts were kings of England. QED. Can I have my crown please? A key fact of mathematics is that garbage in=garbage out. He may have done all his calculations correctly, but if he feeds in the wrong data or assumptions then he'll still get worthless data back. Even I know better than to do what he does. By selecting only those sections of chronology which match his conclusions and ignoring those that don't he violates a key rule of statistics. My Statistics I teacher taught me that. It's as basic as you can get. For example he selects a segment of Byzantine Emperors and matches them with a series of Old Testament kings. The two dynasties match up very well indeed so he concludes that they must be identical. Sounds convincing. But why did he choose to compare that stretch of kings with that stretch of Emperors? Because they matched of course! Statistically speaking if you try hard enough you will be able to find matches in the lengths of reigns for various civilizations if you have no other qualifying factors. If he'd chosen Roman Emperors to match with the Byzantine ones he probably wouldn't have found his correlation. Or Frankish ones. Or English ones. Or even earlier Old Testament ones. In fact, even with that it doesn't fit because he has to combine Justinian and Justin I to make it match Manasseh. He had an even worse time fudging the list of ancient Spartan kings to make them match the despots of Mistra (p. 304). He actually inverted the Spartan king list, which makes total sense because people trying to hide what they did would naturally just invert the chronology instead of, y'know, making the dates up? It's not like there are any other similarities between the names he's matching. I should also point out that unlike the despots the Spartans had two kings at a time. He's actually skipped over the most famous king Leonidas (of SPARTANS! fame) because he didn't fit as well as the other one.

    He also thinks he's being clever by comparing the ancient kings of Rome with a list of Emperors from the later Empire (p.305). This shows his fudging at its worst although people who've never studied it might not know it. It looks reasonable at first glance. Kings of Ancient Rome: Romulus Quirin, Numa Pompilius, Tuttus Hostilius, Ancus Marcius, Tarquin the Ancient, Servius Tullius, Tarquin the Proud lasted in total 244 years. In the later Empire Constantine I, Basileos the Great/Asa, Valentinian I, Honorius, Aecius, Valentinian III, Recimer, Odoacer, Theodorich, The Goths last 252 years. The first thing that any Classicist will note is that those are not the correct English transliterations of their names. The translator didn't even try to get them right. Basileos the Great is St. Basil despite never being called "Basileos" or "the Great" in English. I have no idea who Asa is supposed to be. The problems with this: First the ancient kings are fake. Probably made up by Roman mythologists. Certainly they didn't know the exact dates when they ruled. So he's comparing a fictitious dynasty with a factual one. He'd undoubtedly say they're both fictitious but this chart was supposed to prove that and it doesn't prove anything of the sort. Moving on to the real Emperors. St. Basil wasn't an emperor, he was a bishop and theologian. He has no place on this chart. Fomenko has skipped over Constantius, Constantine II, Constans, Julian, Jovian, Valentinian I, Valens, Gratian, Thodosius, and Valentinian II unless one of them is Asa. So one king ruling 43 years has become 11, including Valentinian I who shows up next on the list after he's been dead for about 5 years. Actually he only shows up on the chart after he dies. Perhaps he's supposed to be Valentinian II? He is followed by Honorius who actually shows up at the right time for once but they do neglect to mention that the Empire has been split in two by this point and thus there are two Emperors whom he can chose from to fit his chart. Apparently that's not enough because the next man is... well I don't know who he is to be honest. He's certainly not an emperor. If Aecius is in fact Aetius then he was magister utriusque militiae (sort of head general) under Valentinian III who shows up next. Even someone who's never read anything about the Later Empire should note that Fomenko jumped straight from Valentinian I to III. Aetius in fact lasted a further ten years dying in 454 a few months before Valentinian III who had him killed. He only lists him as dying in 444 because that way he matches with Ancus Marcius giving him a 'reign' of 21 years. Following Valentinian III comes what is definitely supposed to be Ricimir. He was also not an Emperor but a general and had been killed several years before the Empire fell. There were nine Emperors during this time (in the West) and then the Western Empire fell. Not one to let facts get in the way Fomenko continues with the first of the Gothic kings. Finally he's met another section that matches with his list. Odoacer and Theodoric last 50 years to Servius Tullius' 44 (according to Fomenko). At this point he just gives up and the next king is "the Goths." Huh. Well that makes perfect sense. As you can see, despite his neat graph he's made up most of his dates and skipped over dozens of Emperors. The only ones that actually fit are Constantine I (the first one on the list) and Odoacer/Theodorich who were kinda two different people and not the same one like Servius Tullius. Even the bits that do match don't do so exactly and to have any significance it would have to match exactly. It's like saying that 2+2=5 because 2 is approximately 3. The average length of rule for a king is 20 years (look it up) which means that even a few years difference is a major deal statistically. That by the way is a valid and important use of statistics in historical studies.

    I leave the astronomical stuff to people more qualified than I to judge it. Clearly if his statistical analysis is this far out of whack his astronomical analysis isn't gonna be much better. I shall stick to the limited attempts he makes to explain away all non-mathematical historical evidence.

    The biggest problem that he finds is that all documents from Antiquity are copies. None of them are older than the 11th Century and thus must be fake. There are no original documents from the classical era (except that there are. See below). While this may sound convincing to anyone who has no contact with the subject it is inevitable if you think about it. The Romans were destroyed 1500 years ago. Parchment simply doesn't survive that long under ordinary circumstances. Any documents surviving must be copies. This doesn't mean that there is no way to test their authenticity. Comparisons of documents is one key way. If two documents are identical, or nearly so, then they may be presumed to come from the same source. Since it is possible to date documents in this way it can be worked out what the oldest one is and which document was copied from which source. What you find is that most of the more numerous sources are copies of multiple originals from unconnected authors on opposite sides of Europe. Which means that those documents must be based on even earlier sources. So already we're past Fomenko's 11th Century limit. Many forgeries can thus be detected by when they first appear on record, what sources they used to write it, and stylistic and factual variations. Fomenko is a mathematician. Every fact must be either true or false. Therefore this system must seem maddening and imprecise to him. And it is imprecise, at least on mathematical terms. That doesn't make it inaccurate.

    Since dates do show up in documents from time to time he needs to come up with a way to discredit every writer who's ever lived and I have to admit he has a highly original way of doing so. Without offering any proof he asserts that Roman Numerals didn't have a number for ten. X stood for ten in Roman numerals but Fomenko believes that they only had I's and V's since X stood for Christ (p. 337). X was the first letter of Christos (Ch was spelt X) in Greek and therefore they put it in there to indicate that it was the 1st Century of the Christian era. It makes me wonder how a 12 (XII) year old boy can really be a 200 year old man but I'm sure that the mathematician knows what he's doing. 1 is also fictitious. As a Russian who doesn't use the Latin alphabet 1, I, J, and l look much the same to Fomenko and as he does with all things that look the same he combines them. 1 was not actually a number but the letter I (or J) and stood for Jesus (Iesus in Latin). So the year 1300 is actually the year 300 after Jesus. As proof of this he includes a picture of a tombstone in Britain with what he claims is a J for a 1. Sure it is Dr. Fomenko. Sure it is. Don't worry. We believe you. As you might imagine he gives no evidence apart from the similarity (to a Russian) of appearance and treats his idle and unsupported speculation with the same weight as solid fact. He also views anno domini (AD) as being misunderstood (p. 351). While anyone who's taken even a little Latin will tell you that it means 'in the year of the lord' Fomenko has an alternate translation. Since 'dom' means house in Russian he assumes that it means the same thing in Latin. Thus anno domini would mean 'in the year of the (ruling) house' and would refer to the current ruler and not Jesus making it impossible to determine dates from AD. This is an early example of the ethnocentrism that is to dominate his later works. Needless to say this doesn't work in Latin. While the word house in Latin is domus I refuse to give him credit for this since he referred to a Russian word, not the Latin one. However 'in the year of the house' in Latin would be anno domi, not anno domini. Domini is the genitive of dominus which means master. While it is connected to the word for house (being one who is in charge of it) it has an entirely distinct meaning from it and the word cannot be used in that way. Clearly the fact that he doesn't know Latin isn't stopping him from making sweeping assumptions about it. Anyways this makes dating from the dates included in documents impossible which is certainly convenient for him isn't it? Of course all of this makes it hard to explain the many medieval Universal Histories that went from the Creation to the present and used BC and AD in exactly the same way they do now. I love the idea that Bede was actually living in the 18th Century describing the goings on of the Stuarts and Hanovers as if they were a dozen petty feuding monarchs in an only-recently Christianized land.

    Another way to determine a document's (or artifact's) age is Radiocarbon dating. Fomenko dismisses this entire branch of science as unreliable because it disagrees with him. Carbon Dating never provides exact dates, merely dates +- a certain number of years. It can usually be stated to within 30 years or so. This isn't a science that we're asked to have blind faith in. It can, and has been, verified. Radiocarbon dating is used most frequently in archaeology where it is one of the only ways to date a structure in the absence of written evidence. Fomenko dismisses this because it completely eradicates his 'theory.' Radiocarbon dating matches historical dating with high accuracy. Only in documents written about prehistory is there any variation which is to be expected given how little data there must have been for ancient historians to go on when they were dealing with events before their time. This is the factor that most of his supporters jump on because it is seen as harder to disprove. I admit I'm not sure how accurate it is, although it's certainly far better than +-1,000 years. But then, this isn't the foundation of his argument. He only attacks it because his 'theory' requires that it not be true. The real 'strength' of his argument lays in his statistical analyses and astronomical work. Even if Carbon Dating turned out to be rubbish he would be no closer to proving his 'theory.'

    To conclude: his events don't combine, his dismissal of carbon dating doesn't hold up, and his statement about forged documents is completely inaccurate. That last point I will demonstrate further below under the section which deals with the evidence that he denies or ignores. And speaking of...

    Having shown what utter rot his selective use of facts is it's time to turn to the facts that he doesn't want people to know. Starting with something I mentioned above: documents. While parchment doesn't last forever as I have said, there are certain conditions which allow it to be preserved for much longer than it would normally be. These finds are rare but offer a valuable insight into the ancient world. The most famous of these finds comes from Vindolanda. This was a Roman fort just below Hadrian's Wall. There were a series of letters written on thin slivers of wood which were preserved underwater in the muddy ground. These letters dealt with common every day things including troop strength, parties, new clothing, etc. They also include selections from Roman literature that Fomenko dismisses as forgeries. These documents are originals, not copies, and deal with an everyday Roman life that Fomenko claims never existed. The key points is this: there was no way that a group of Jesuits working in the 16th Century could have known that anyone would have the technology to read what was written. The processes used to recover the letters was invented by archaeologists in the 1970s including the infrared photography needed to recover them. There was no way that Jesuits could have known that they would survive by chance, would be discovered, or could be read once they had been. Furthermore, what would be the point? It's not like people doubted the Romans existed. Why create all of this useless information only to bury it forever in a place where it should have rotted away? Especially in Protestant England where Jesuits weren't exactly welcome? This parchment find is not the only one. There is a major dump in Egypt (also outside Jesuit control) and smaller ones in several other places around Europe and the Middle East. Furthermore, the building that the Vindolanda documents was found in was clearly Roman in design and structure. Which brings me 'round to my next point.

    Clearly Fomenko has no interest in the arts or humanities. He dismisses art historians with all the contempt he clearly feels for any field that isn't Math or Physics. Which explains how he can make some of his outlandish claims. I should point out that he considers none of these claims as proof of his 'theory.' He doesn't even take artistic studies seriously enough to dispute them. He simply assumes that they are wrong because he is right and leaves it at that. His sections on architecture are masterpieces of arrogant disdain. The only reason he even deigns to mention them is because his 'theory' is correct and therefore they must be wrong. I don't think that I need to explain why that is the wrong attitude to take.

    As an example he considers the Parthenon to be a Turkish mosque. The Parthenon is of course a masterpiece of Classical architecture and is lacking the traditional Muslim mosque design. Particularly the dome. Yes the roof was blown off, but they can still tell the structure of the thing from what remained. And what remains is remarkably similar to other temples traditionally labeled as Classical. I'm not kidding when I say he makes this claim based on no evidence either. His logic is that the Ancient Greeks never existed therefore this building cannot be Greek. He says that there was a Turkish tower on the Acropolis and therefore it must have been built there at the same time. His rather poor photo from the 1860s shows the tower right next to the temple of Athena Nike and it seems to be constructed of similar material to what is underneath it. By his reasoning this alone is enough to conclude that it was originally there when the temple was constructed.

    His conclusion ignores the similarity of design between classical buildings and assumes that they are all more modern. The fact that there are buildings of similar design and function located throughout Europe is ignored. Why these buildings were all built, covered in Roman inscriptions, and then abandoned is left as something of a mystery. Or it would be if he mentioned it. Also missing is a discussion of artifacts and how some artifacts are found throughout the Mediterranean despite the highly different cultures that exist there. Why do Turkish buildings and artwork differ so much from Italian buildings and artwork if they were all the same a few hundred years ago when they built Classcal temples? And for that matter, why were they the same? Roman armor is especially strange since the only conclusion possible from his 'theory' is that everyone around the Mediterranean adopted Roman armor, sculpted and painted it (but only on Classically styled buildings), and then abandoned it without it ever having an effect on medieval armor and weaponry. This entire section is a blatant insult to the reader's intelligence and his own. And it gets worse.

    When mentioning the dating of buildings he neglects to explain the layering. Specifically how one building is often built upon another. It doesn't take a genius to figure out that the building on top is the newer building. Yet he would have us discard such obvious facts. Because when Classical buildings are found in a medieval city they are INVARIABLY found on the bottom. That's right, all those Classical buildings being built at the same time as medieval ones somehow all ended up on the bottom while their contemporaneous medieval ones ended up above them. Gosh, isn't that surprising?

    Additional 'proof' of his 'theories' comes from a series of drawings throughout his book. On page 28 he shows a medieval document that depicts Cicero and he's wearing medieval clothing. From this he concludes that he was a contemporary. What he doesn't question is how else Cicero was supposed to be portrayed? Everyone in medieval manuscripts looked medieval just as all Chinese paintings reflected contemporary Chinese dress, and Roman drawings reflected contemporary Roman dress, etc. Until relatively recently people didn't really conceive of the past as looking very different from the present. The important point is how the manuscript writer was supposed to know what Romans looked like? Sure there were Roman statues and monuments around but unless the writer was fortunate enough to live in Rome or somewhere with a standing monument they wouldn't have a clue what the Romans dressed like. That's why they depict everything the same way right into the Renaissance. Biblical stories, Classical stories, ethnic stories, they all looked modern at the time when the work was commissioned. If Cicero was truly a contemporary of some medieval scribe because these scribes always reflected the appearance of historical figures accurately then why did those figures' appearances change over the years? In the 16th and 17th Centuries there are plenty of historical paintings which depict the subjects in Renaissance dress. Are we to conclude from this that Cicero and others lived from the 1200s through the 1600s? Similarly on page 44 he shows Babylon depicted as a medieval town without asking how the artist was supposed to know what ancient Babylon looked like. In one last example of many he shows Augustus wearing a crown with a Christian cross on top in a medieval map and thus concludes that Augustus was a Christian and therefore came after Christ. The lengths that this man will go to to enhance his ignorance is amazing.

    So there you have it. This sad little pile of pseudohistory manages to waste 586 pages in his first book alone trying to prove something that your average five-year-old would know is nuts. A very sad thing. I'd feel more sorry for a man who's clearly slipped his bolt if it weren't for his unshakeable arrogance and contempt for all other fields. The basic assumption of the book is that mathematics trumps history. Clearly he knows better than all those stupid historians who can't see that they wasted their time in not becoming mathematicians. He actually says that one of his goals is to reclaim chronology for the field of mathematics from which he is convinced the church stole it. His contempt for other fields is staggering. He clearly knows this field better than any artist, art historian, historian, physicist, or even just plain commonsensical human being and has no hesitation in stating it. In doing so he never stoops to their level by debating facts, he simply states them as truths and then ridicules them. This book really doesn't deserve a response, but what the hey, it's a pretty funny read.

    7 of 8 people found the following review helpful.
    Creationist scientists and the Russian mathematical analysts corroborate?
    By bonda
    I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.

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